↑ "Calvin Harris Album & Song Chart History" Dance/Electronic Digital Songs.↑ "Calvin Harris Album & Song Chart History" Dance/Electronic Songs.Productores de Música de España (23 de março de 2014). Arquivado do original em 1 de abril de 2014. ↑ "Calvin Harris Album & Song Chart History".Arquivado do original em 14 de julho de 2014 ARIA Charts (31 de março de 2014).Página visitada em 1 de abril de 2014. ↑ "ARIA Dance Singles Chart" Arquivado em 7 de abril de 2014, no Wayback Machine.↑ a b «Summer – Single by Calvin Harris».↑ «Calvin Harris' New Song 'Summer' For First Play On Capital Friday 14th March».«Calvin Harris premieres new single 'Summer' – listen». «Calvin Harris Reveals 'Motion' Album Cover, Release Date». ↑ Robbie Daw (25 de setembro de 2014).Paradas e posições País/Parada (2014)Ĭroácia ( Croatian Airplay Radio Chart) Įstados Unidos ( Dance/Electronic Songs) Įstados Unidos (Dance/Electronic Digital Songs) įinlândia ( Suomen virallinen lista) Just the 'hunters.Antecedentes Įm 11 de março de 2014, Harris divulgou 15 segundos da canção no Instagram até 14 de março, quando foi lançado digitalmente em determinados locais, fazendo sua estréia na rádio Capital FM. But until Adam - sorry, Calvin - opens up a little more, he'll never attract the ears of the more discerning bass-head.
It's a sign that, occasionally, there's a heart to these often cold, calculated arrangements. Piano-led closer 5iliconeator presents a different side to Harris, flying close to the textural ambience of Air. Without the Scot's delicious 8-bit sleaze-beat and contrast-adding monotone vocals, it's simply a recollection of a young man's horniness down Notting Hill Arts Club on a Thursday night. Dance Wiv Me, number one last summer, is included as something of an afterthought, but there's no denying Harris is its star, not Dizzee Rascal. Ready for the Weekend - rightly another single - borders on glorious when its chorus hits, the vocals of Mary Pearce cutting through an impressively catchy instrumental. Actually, that's unfair, as there are moments on this second album - his first, 2007's I Created Disco, spawned the zeitgeist-predicting single Acceptable in the 80s (oh, we laughed then, but with hindsight he called it) - which are pleasantly throwaway, almost in the Groovejet league of package-holiday melodic escapism. That's not to say that Harris' tunes appeal exclusively to a lowest common denominator type of dance music fan, more that this album will most likely be picked up by those who get their music from supermarkets: you've heard it on the radio it's there, right next to the discounted baked goods you buy it. The problem is that these people would act the same way if the artist in front of them were Tiesto. He's not wrong: once its transition from sombre lyric and acoustic strum to massive big beats is complete, it's easy to visualise thousands of people absolutely losing their minds to it. The Dumfries-born songwriter - real name Adam Wiles (why change from Adam to Calvin, really?) - most recently hit pay dirt with I'm Not Alone, a track described by the man himself as a "stadium dance tune". However this album is received, he's not likely to be short of a few bob anytime soon. Almost, because both hits featured here topped the singles chart. One almost pities the dichotomy that is Calvin Harris: on one hand a wannabe Serious, Credible Artist, but on the other a purveyor of massively popular synth lines piled high on towers of cheese and handbags.